The exciting all-new prequel series to Flashback and Dinosaur Apocalypse …
“There’s no footprints,” said Tess, examining the ground. She looked up at him as though she felt suddenly ill. “Nothing leading away. Just ours and his walking to and from …” She paused, her lower lip trembling. “How is that possible, Coup? And not just him but—where is everybody else? Where are the other cars? How in …”
And then she just broke suddenly and rushed into his arms, and they remained like that for several minutes, during which time he scanned the sky, and, to his deep relief, spied a passenger jet arching glimmeringly across the sky, its contrail just as white and reassuring as angel dust.
“Look, there, see,” He released her abruptly and spun her around. “We’re not in the Twilight Zone, after all. Hey, yo, Freedom Bird! We’re down here!” He waved his arms back and forth. “Give us a lift! Albuquerque or bust!”
Yet there was something odd about the plane’s trajectory he hadn’t initially noticed—or had he? For it truly was arching, which is to say it wasn’t crossing the sky so much as it was … falling from it. Yes, yes, he could see now that was true, as he disengaged from Tess and paced through the scrub, tracking the jet as it curved gracefully in the sun— to finally plummet straight into the far hills, where it vanished like a specter in a plume of fiery smoke.
And then he was gripping the shotgun and trying to wrest it from its rack; but, finding it locked, had to search the car for a key: upon which, realizing there were none that would fit, he located a small button just beneath the seat and depressed it—freeing the weapon.
“I don’t think that’s a good idea,” said Tess as she tailed him back to the Mustang, but he ignored her until they were again seated inside, after which he turned to her and said, briskly, “Maybe it is and maybe it isn’t, but I’m doing it, okay?”
And it was on the tip of her lips to respond when they heard the sound: a kind of muffled whimper—something between a chirp and a meow—coming from outside. Coming from beneath the car.
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Wayne Kyle Spitzer (born July 15, 1966) is an American author and low-budget horror filmmaker from Spokane, Washington. He is the writer/director of the short horror film, Shadows in the Garden, as well as the author of Flashback, an SF/horror novel published in 1993. Spitzer’s non-genre writing has appeared in subTerrain Magazine: Strong Words for a Polite Nation and Columbia: The Magazine of Northwest History. His recent fiction includes The Ferryman Pentalogy, consisting of Comes a Ferryman, The Tempter and the Taker, The Pierced Veil, Black Hole, White Fountain, and To the End of Ursathrax, as well as The X-Ray Rider Trilogy and a screen adaptation of Algernon Blackwood’s “The Willows.”